Reuven Rubin (1893-1974)

Reuven Rubin

Reuven Rubin

Reuven Rubin (Rubin Zelicovici) was born in Galaţi to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy’s teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he lived the war years.




In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Bukovina. They met Alfred Stieglitz in New York City, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe and Rubin emigrated to Mandate Palestine one year later.

Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York City. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition.

The history of Israeli art began at a very specific moment in the history of international art, at a time of Cezannian rebellion against the conventions of the past, a time typified by rapid stylistic change and Jewish national art had no fixed history, no canon to obey. Rubin began his career at a fortunate time.

The painters who depicted the country’s landscapes in the 1920s rebelled against Bezalel. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. Rubin became one of the founders of the new Eretz-Yisrael style in Palestine. Recurring themes in his work were the biblical landscapes, folklore and people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.

In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem. The same year he was elected chairman of the Association of Painters and Sculptors of Palestine. Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters, since 1930s.

His biography, published in 1969, is titled My Life-My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv, where was opened The Rubin Museum in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin.




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